We all know you're not supposed to go back and re-read your first draft while you're actively still writing it, but let's be honest. You probably did. If you're like me, you probably read each chapter at least a dozen times before writing that fanciful the end on the last page. Even if you didn't, your perception of your own work is never truly going to be objective. That's why authors enlist the services of beta readers.
A beta reader is someone who reads your unfinished manuscript to look for "big picture" changes to strengthen your story. They are the fresh eyes every manuscript needs before you begin the bulk of the editing process. As long as your first draft is finished and readable (no major grammatical errors, all placeholders are filled in, etc.), you're ready for beta reading.
The ideal beta reader is someone who doesn't know you and is an avid reader in your genre. This lack of a personal relationship will help keep the feedback impartial. Although these readers are the ideal, they're a bit of a unicorn when if comes to actually finding them.
Other good candidates for beta readers include people who you know and trust to be honest with you AND are readers of your genre. If you're writing a fantasy, don't ask your mom's friend Sharon who mainly enjoys murder mysteries and domestic thrillers to be your beta reader. Another great option is a fellow writer from an author community on social media. However, approach these candidates with caution. Make sure you look for someone who is going to give you constructive feedback, and not just tell you what they would have done differently according to their own personal style.
Once you've corralled 3-4 trusted beta readers, it's time to send off your manuscript. Giving your readers specific questions to keep in mind before diving into the story will maximize your chances of getting the critique you're looking for.
But what should you ask?
I gave this a lot of thought. I researched other blog posts on the topic and made some tweaks that represent my genre (psychological thriller). In the end, I decided on 11 specific questions to ask, while also making it clear that any and all feedback is welcome. This is the email I sent to my beta readers for my debut novel, DEATH OF A SHOWGIRL:
If you are receiving this email, it's because you're officially a beta reader for my debut novel, Death of a Showgirl. I want to start off with a huge THANK YOU for your interest in reading this manuscript and helping to make it better.
This manuscript has been through one round of edits, but there's still a lot of work to be done. If you notice spelling/grammar issues, tense inconsistency, and filler/fluff words, please just ignore that for now! I'll go back and address all that after implementing your feedback.
I'm happy to accept any and all notes you may have during your read, but I'm especially interested in your answers to these questions:
1.) Did the story capture your interest from the first page? Why or why not?
2.) Were there any parts of the story that felt like they were lagging or boring to read?
3.) Were the characters believable? Are there any characters you think could be made more interesting or more likable?
4.) Were there any parts in the story where you felt lost or confused?
5.) Did you notice any discrepancies or inconsistencies in time sequences, places, characters, or other details?
6.) Did character interactions and dialogue make sense and seem natural?
7.) Did you feel there was too much description or exposition? Not enough?
8.) Were you able to predict any twists ahead of time? If so, at what point in the story did they become obvious?
9.) Did the twist surprise you? Did you feel like it came out of nowhere or did it seem earned?
10.) Was the ending satisfying? Believable?
11.) Did any similar books or authors come to mind while you were reading? If so, which?
Thank you all again! Feel free to reach out to me at any time if you have questions or comments during your read.
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